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Racist White Women: An American Legacy – Intelexual Media
Take 19th century slaveholder wife Mary Epps. As detailed by Solomon Northup in 12 Years a Slave, Mary Epps became jealous of her husband Edwin’s frequent rapes of a slave girl named Patsey. Mary began beating Patsey, taking no womanly sympathy for her brutal sexual assaults, instead reducing her to a black jezebel interested in sleeping with her husband. Mary encouraged her husband to discipline Patsey after she had left the plantation without permission, leading him to crack his whip at her over 50 times. Slavery is checkered with untold numbers of Patsey’s, who were dual victims of both their male and female masters. “One white lady that lived near us at McBean slipped in a colored gals room and cut her baby’s head clean off cause it belonged to her husband.” recalled a former slave being interviewed in the WPA Slave Narrative Project.
White Feminists AKA Frenemies
Historically, when white feminists have cried out about the injustices of sexism, they often ignored racism- or perpetuated it. As famed suffragist Elizabeth Cady Stanton said, “What will we and our daughters suffer if these degraded black men are allowed to have rights that would make them even worse than our saxon fathers?” Susan B. Anthony was in on it too. “I will cut off this right arm of mine before I will ever work or demand the ballot for the negro and not the woman.” Notice how this statement effectively erased black women from the conversation. When black men were granted the right to vote in 1870, white suffragists were pissed because they believed they were better than black men. Frances E Willard said “It is not fair that a plantation Negro who can neither read or write should be entrusted with the ballot,” before going on to say black men were dangerous threats to white womanhood. By tapping into white men’s fear of nigger rape, Willard hoped to leverage white womanhood for a few male privileges. White women were women, but more importantly (as they implied), they were white…
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Faux-Politically Empowered Girlfriends and Wives
These are the women who gained the right to vote in the 1920s and went buckwild. “White supremacy will be strengthened, not weakened, by women’s suffrage.” said Carrie Chapman Catt. As the recent election demonstrated, she was right. While the KKK became more popular in the years leading up to The Great Depression, white protestant women joined the WKKK in droves. Many of them joined when or after their husbands did. Like their male counterparts, they believed their rights were being trampled on by black people and immigrants. They were also terrified of the black rapist, a villain perpetuated by the popular 1916 film, Birth of a Nation. It shouldn’t be shocking that many of these women were former suffragettes. Even though in the present day the KKK’s once mighty power has been whittled down to hundreds of smaller hate groups, the women who aligned themselves with these male dominated arenas are still around. A contemporary version of this white woman is likely to be decked out in confederate flag belts, uses the complete term “the white race” frequently, and has a drug or alcohol problem. She votes however her father/boyfriend/brothers tell her (if she votes in those “rigged zionist abortions” at all, that is), believes white genocide is imminent, and thinks feminism is a cancer.
Polite But Still Racist Southern Belles
Ah, a true classic. As a North Carolina native, Ive come into contact with a dizzying amount of women like this here in the 21st Century. Well-off white women in costly sundresses with withered french manicured hands encrusted in diamonds; who often clutch at their pearls and say “Bless your heart.” They’re always polite, but usually haughty. Some of the ones I’ve come into contact with have praised me for being articulate or pretty, as if smart or pretty black girls are a rarity. I pity the black people who had to deal with these phony bitches during the Jim Crow era, when their negative opinion could get your house set on fire or your husband strung up from a tree. Hiding behind dainty dresses, southern manners, and the assertion that she treated her negro servants like members of the family, the racist southern belle was a fixture on the 20th century American landscape. With a sugary sweet accent, Christian rhetoric, leisurely afternoons spent gossiping and being nosy, and the power of being married to a man that mattered in the eyes of the law, the average southern white woman was an entitled monster. She was fine with negroes as long as they stayed in their place- aka staying subservient to white people. She was also fine with violence against negroes. In Coming of Age in Mississippi, Anne Moody recalled her employer, Mrs Burke, saying that Emmett Till never would have been murdered had he not ‘forgot his place’. Mrs Burke, and thousands of other women like her, blamed the violent behavior of their husbands, brothers, sons, cousins, and neighbors on black people getting out of place. What a convenient way to excuse depravity from the safehaven of white womanhood.
The “Im a Racist Because Im a Good Mother” Women
Somebody’s child is always being used to justify bullshit. When white parents found out black Ruby Bridges was going to be attending their school, they were pissed. One woman, obviously concerned about the 5 year old Bridges threatening the safety of her own child, threatened to poison Ruby on her daily walks to school. This attitude was repeated by every racist white woman during the integration years. Listen to the woman below use her kids to excuse her racism.
White women being foul racists for the alleged sake of their children was and is common, and made clear by the dozens of unnamed white women you see yelling angrily in historic integration photos. The sadder part? Many have never been identified and never will be.
The Lover of Black Men and Hater of Black Women
This is a relatively new category of white woman, as for the majority of American history miscegenation has been illegal and widely frowned upon. But in the 21st century, this woman thrives. She loves black men and black culture. She publicly applauds black rights. She doesn’t say nigga. She’s cool. She’s down. But at some point, she reveals her true colors and competitive nature. “I love black cock,” she says, signifying that her love for black men isn’t genuine or loyal but instead founded in fetishism. “Black women hate me because black men love me.” she says with total seriousness. Or, “Black girls just mad because they have to wear weave and white girls wear their real hair, THATS WHY WE STEALING YOUR MEN.” Statements like these blatantly reveal her superiority complex with the black woman; whom she hates for being the black man’s counterpart. Clearly, black men are safe from her hatred because they have something she wants- dick and/or validation. Black women though? The mothers, the sisters, the aunts, and the daughters? We’re her enemy.
The Pretty Conduit
Let us go back to Rose Armitage real quick. She seemed innocent and normal until you found out she was raised to kidnap and hypnotize black people for the wanton desires of white family members and friends. Even when Chris KNEW that she was a deranged mayonnaise demon escaped from the deepest pits of hell, he couldn’t bring himself to choke her to death. He looked down at her pretty face and decided that he couldn’t do it. This was one of the scariest parts of the movie to me because it represents America’s response to a type of woman who has grown in popularity thanks to the internet and social media. You already know I’m talking about women like Ann Coulter and Tomi Lahren. She says everything the typical white male racist says- but a sweet voice, a conventionally attractive face, and the privilege of femininity that whiteness grants her keeps the virulent racist bimbo from being labeled as one. Her appearance, gender, and feminine qualities appeal to people that white men can’t. Because of her appearance and status as a white woman, she is protected by white and black men alike. To them she is never angry or bitter, just sassy and passionate. To them she is not racist, just speaking “the truth” or her opinion. In fact, some black men shrug off her racism with a sickening resolve: “I’d still fuck.”
At the end of the film when Rose thought she saw a cop car, she knew she could snap back into victim mode. Had it been a cop instead of Chris’s friend Rod, they’d have seen a bloodied black man looking down on a broken white woman and shot him in a heartbeat. Rose knew she could weave a tale of rape and terror and go on about her life. Not every white woman sucks. But every white woman on this list, and every white woman in real life, has the fake victim card at her disposal. When my former college roommate Elizabeth experienced my reaction to her threat to do me bodily harm, she flipped a switch. She was no longer the vodka fueled instigator making threats and acting tough. She was suddenly crying in the hallway, inconsolable and weak. This is white womanhood. This is their ultimate privilege. At any moment they can go from agitator or abuser to a delicate and innocent white woman in need of protection from the big scary black. Even worse, not every black man or woman will be fortunate enough to have a friend like Rod to come save them when they’ve been accused of violence by a white woman, or when they were simply black in the wrong place at the wrong time. Many have been, and will continue to be caught in the web of faux innocence, lies, and evil spun by white women.
Perhaps this is why Get Out is one of the scariest movies I’ve ever seen.
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